Artists on Artists
Three Backshore
writers:
Poets Schuyler
Hoffman and Peter Tuttle, and prose writer Peter Anastas will read
from and discuss their work.
Event: The Society for the Encouragement of the Arts (seARTS)
of Gloucester continues its Artists on Artists series on September
15, 2005 at 7 pm Poets Schuyler Hoffman and Peter Tuttle, and prose
writer Peter Anastas, founders of Backshore Writers’ Collaborative,
will read from and discuss their work, the literary process, and
the mission of Back Shore Press
When: Thursday, September 15, 2005, 7 pm to 9
pm (member reception, 6:30 pm)
Where: TBA
Admission: Free to members, $5 for non-members.
Refreshments will be served.
Who: Peter Anastas was born in
Gloucester, Massachusetts in 1937 and attended local schools. He
holds degrees in English from Bowdoin College and Tufts University.
His previous publications include Glooskap's Children: Encounters
with the Penobscot Indians of Maine (Beacon Press), Landscape with
Boy, a novella in the Boston University Fiction Series, At the Cut,
a memoir of growing up in Gloucester in the 1940s (Dogtown Books),
and Broken Trip, a novel (Glad Day Books), along with fiction and
non-fiction in Niobe, The Falmouth Review, Stations, America One,
The Larcom Review, Polis, Split Shift, Cafe Review and Sulfur. Anastas
is also the editor of Maximus to Gloucester: The Letters and Poems
of Charles Olson to the Editor of the Gloucester Daily Times, 1962-1969
(Ten Pound Island Books).
Schuyler Hoffman is a poet and a playwright. His
poetry issues from the Beat and Black Mountain traditions, as a
part of the post-Beat movement. The influences on his dramatic writing
range from Strindberg and Beckett to Sam Shepard and Sarah Kane.
He has published two chapbooks of poetry and a poetry-music CD.
He has read his poetry in Boston, Hartford and Los Angeles and at
numerous open mikes in the Boston area. He has also been involved
in producing poetry festivals of the works of Charles Olson, Michael
McClure, and Allen Ginsberg in the city of Gloucester, Massachusetts
where he makes his home.
As a performing poet, he has developed a poetry-music collaboration
with the musician Richard Atwood, the goal being to alter the relationship
between language and music in order to explore an imaginal common
space between them. The duo has performed this unique blend of poetry
and guitar-based rock tinged with jazz and blues in venues across
eastern Massachusetts.
Schuyler Hoffman's first original play The Incredible Nickel Thief
was developed and performed in Hartford in 1968 by the experimental
Stillpoint Theatre Workshop. His full length play Napalm Rain was
workshopped with the UMass-Boston playwriting faculty at the Playwriting
and Performance Workshop on Nantucket in the summer of 2001. His
one act plays Fog and The Net were read at the Last Frontier Theatre
Conference in Alaska in 2003 and 2004.
He is currently writing a long play about fascism in a post-capitalist
world and working on a selection of poetry for publication with
Back Shore.
For information call: Michele Miller 978-283-9923 or www.searts.org
The Society for the Encouragement of the Arts (seARTS)
is a recipient of the Massachusetts Cultural Council’s Adams
Arts Fund for Cultural Economic Development.
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